![]() He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. This replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. His subsequent works at the Society of British Artists included "The Sons of Jacob bringing the blood-stained garment of Joseph to their Father", 1844 "Salute, Signore", 1845 "A Girl of Sorrento at a Well", 1847 "Inhabitants of the Palace of the Cæsars-Rome in the Nineteenth Century" 1850 "Columbus asking Alms at the Convent of La Rabida" 1853 "The Last Sigh of the Moor" (or "Boabdil el Chico. ![]() In 1844 and, for the last time, in 1845 he again sent portraits to the Academy. Isidore: the Monks giving away provisions", 1841 and a "Scene in a Spanish Posada in Andalusia", 1843. Peter's, Rome, from Byron's Deformed Transformed", 1839 "The Convent of St. He contributed to the society's exhibitions upwards of three hundred portraits and other works, among them being "The Enchantress Armida", exhibited in 1831 "Haidee aroused from her Trance by the sound of Music", 1834 "Eros", 1836 "Italian Boys playing at the National Game of Mora" and the "Prisoner of Chillon", 1837 "The Scene in St. He was chosen president in 1835, and again in 1840, retaining the office until his death. He continued to send portraits to the Royal Academy until 1830, but in 1831 he was elected a member of the Society of British Artists, after which he seldom exhibited elsewhere. ![]() ![]() In 1824 also he contributed "The Bandit Chief" to the first exhibition of the Society of British Artists. These were followed at the Academy in 1822 by "The Return of the Prodigal Son" and a portrait, in 1823 by five portraits, and in 1824 by his "Archangel Michael" and some more portraitsOne of his best early works was "A Venetian Page with a Parrot", exhibited at the British Institution in 1824. He first exhibited in 1821, sending to the Royal Academy "Le Malade Imaginaire" and to the British Institution a "View near Windsor". In 1820 he was admitted as a student of the Royal Academy, where in 1822 he gained the silver medal for the best copy made in the school of painting, and in 1823 the gold medal for historical painting, the subject being "The Contention between the Archangel Michael and Satan for the Body of Moses". His first original work was an altar-piece, painted in 1816, for which he received 20 pounds. He began life in the office of his father's journal, but, while still very young, became a pupil of Sir William Beechey, afterwards studying under Sir Thomas Lawrence, and also, it is said, under Benjamin Haydon. Hurlstone, one of the proprietors of the "Morning Chronicle" (his granduncle, Richard Hurlstone, was a well-known portrait-painter a generation earlier). He was born in London, the eldest son by his second marriage of Thomas Y. He was a member of the Society of British Artists and was President of the Society until his death. Hurlstone exhibited at the Royal Academy for many years. Frederick Yeates Hurlestone (1800 – 1869) Regency Sistersįrederick Yeates Hurlstone (1800 - 1869) was an English portrait and historical painter.
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